Workstation Player is perfect for students, faculty, businesses and corporate users who need a small sandbox environment for testing or control.
Both Premiere Pro and FCP X have integrated tools or plugins built just for editing RED footage natively.
If you want to make sure you can open all the latest Adobe Director applications you have to keep your Shockwave Player up to date.
Though not quite as robust as Premiere's workflow, FCP X's proxy workflow is also a great choice for RED media.
Not all Windows 7 users especially upgraders from Windows Vista may like the new Windows Media Player 12.
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VMware Workstation Player (formerly known as Player Pro) is a desktop virtualization application that is available for free for personal use.
RED hardware, and are cutting at the lower end, like 4K, you may feel that the time spent transcoding isn't necessary.
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Pro is RED's post software that allows you to view, adjust, lightly edit, and transcode your R3D media.
For a feature film shooting on a RED at 4K or above, it almost always makes sense to plan an offline edit with proxy media, followed by an online back to the camera originals.
Much of the online entertainment media available on the Internet requires Adobe Flash Player or Adobe Shockwave Player Internet browser plugins in order to be rendered.
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Note: Effective April 9, 2019, Adobe Shockwave will be discontinued and the Shockwave player for Windows will no longer be available for download.
VMware Workstation Player allows businesses to embrace BYO by providing a corporate desktop image that can run managed or unmanaged on an end user's laptop or desktop PC.
Commercial License can be applied to enable Workstation Player to run Restricted Virtual Machines created by VMware Workstation Pro and Fusion Pro.
If you would like to learn about virtual machines or use them at home you are welcome to use VMware Workstation Player for free.
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Taking everything into consideration, we can say that Adobe Shockwave Player is a must have, especially if you have an active Internet connection.
If you choose a different RED clip in your browser, you'll notice that the parameters automatically update to reflect the selected clip, without having to reopen the settings window.
Once you have an understanding of all the moving parts involved in working with high resolution RED footage, consider how changing one detail might affect another.
In the master clip tab, you can adjust all of the RAW metadata settings, including a wide range of color settings (complete with curves), debayer settings, and Red Rocket settings.
In the media browser, you can apply a directory viewer filter to only see RED media files, which is useful for filtering out all those extraneous files and folders that sit alongside and house your media.
